Few people have influenced the course of my life the way Meera did.
As I look up and around right now, I see my walls full of amazing paintings, filled with leaves and trees and mysteries; filled with the taste of the unknowable. So much beauty and love and movement and silence in every stroke, so much depth, so much of the divine shining through. How I became the painter that I am today is a story that started in 2000 in Osho’s commune in Pune, India.
I was a bodyworker then. I was working in the Commune giving individual sessions, and I had spent basically every day of the last decade in bodywork and therapy trainings. Meera was a unique character in the commune, she was obviously full of Osho and she was around every winter leading her creativity workshops and trainings. I had often stopped by to watch her incredible demos in the Multiversity Plaza, and I had been to many of her exhibitions which she organized every year at the end of the season. But really painting was never my thing and to be honest I had never held a paint brush!
One day in November 2000, Meera was about to start her yearly two and half months painting training in Pune, and one of her participant had requested a French translator. I was finding myself in a gap then; I was going through a heartbreak and was getting tired of giving so many sessions. I was still very involved in the commune but sensed a wind of change. I approached Meera and we had a little chat. She explained that she never takes someone on the staff who hasn’t first participated in at least one of her groups, and that maybe I could do that. I replied that I had never painted and was not that interested, and clearly if I seemed to have unlimited money for heavy therapy and inquiry groups, I was not ready to spend a cent on something like a creativity workshop.
I remember that moment when she paused and looked so deeply into my eyes that time simply stopped. It seemed that she was seeing something I had no clue about, something like a hidden diamond I could not even dream of considering. I had often experienced this feeling of being seen so deeply and so totally, but right now it was something different. Meera was looking at something beyond my depths, something beyond everything I think I am, contemplating a potential I had no mean to comprehend.
Meera took my hand and broke the silence: “Wao… yes, come and join, this participant will only do the first part, it lasts two weeks, and it is Primal Painting! You will like it. Come. I will make an exception.”
We never talked again about this very first meeting. So much had transpired, so much had been said, and yet…all what remained was a mystery that left me deeply shaken.
( part 2 …)