Meditation

For almost 30 years MEDITATION has certainly been the one word running continuously through my daily life. Combined I must have spent a few years “in meditation”. Satori groups, meditation retreats, 10 days Vipassana courses, 5 and 7 weeks retreats in complete silence and isolation, and the daily routine of at least 3 hours of different meditation techniques. Meeting Osho I discovered active meditations. His famous “dynamic meditation” became my favourite one, and for years I woke up at 5.30 every morning to be in the hall ready to breathe, jump, cathart, dance and fall into the centre of the cyclone in utter silence. Dynamic meditation was a simple formula for a great day ahead.

After 20 years in Pune following that incredible and juicy regimen I one morning found myself in Mumbai at the feet of Ramesh Balsekar. He told me something I had never heard before and that would change my life forever. There was according to Him no need to meditate, but if you felt to, just taking a few minutes in the evening looking back at your day and investigating one event that you obviously did was enough. “Dissect that event and find out if you REALLY did it”. That was a puzzling proposition, but that investigation again and again, every single time showed the same result: I was not the doer of any action, not even that one. Actions happen through this body mind organism. There is no doer whatsoever.

For years afterwards that specific investigation did run inside like an undercurrent until one day I realized that the understanding had settled without any doubt and that the inquiry had dropped by itself.

Today I would simply say that Meditation is remembrance. Remembering who I am. Osho’s last word is SAMASATI. So is Buddha’s. “Remember who you are”.

Meditation techniques are a way to bring that remembrance to the light. Meeting Osho has been the greatest blessing in my life and meditating in His garden under his guidance was fun, juicy and the gap between the outer and the inner was bridged every single time.

I still enjoy sitting in silence with closed eyes. I still enjoy active meditations. In the same way I enjoy cooking, painting, walking, making love, having a talk with a friend. Whenever I remember who I am I am in meditation.

Most of the time I am in my centre, connected, present and enjoying the play of life. Sometimes I am identified with this body mind organism and believe I am the doer of those actions and thoughts and emotions. Now I know the way, I know the space, I know the knack. I could say that I know who I am…and yet I do go astray once in a while, and I am okay with it. The idea that staying in my centre is a greater thing, deeper and more holy is also falling apart. In fact all the ideas of who I am and who I should be are all falling apart. Something is happening which is beyond all my ideas, beyond any doing, beyond any description, and that something looks more and more like nothing.

I have been a spiritual seeker since as long as I remember. Finding out who I am was the single most important drive inside. Meditation was the motor, the main tool.

Today as the seeker is dying and the seeking is giving way to something beyond doing, meditation is also changing. I don’t quite understand what is happening and I am okay with it. Trying to understand is not important. Accepting the new unfolding is clearly all I need to let go into.

This new happening isn’t always comfortable. I often feel pregnant with something I don’t comprehend, something I can’t push nor do anything about, something that by nature I absolutely cannot name.

I am washing some dishes in the communal kitchen this morning and my friend asks me if I could write something on meditation, and I go “yes, of course”. I know that words will come in spite of me and that whatever comes will be perfect. There is complete trust. And here I am and words are flowing. Meditation is presence, meditation is spontaneity, meditation is life running through this organism called “Nirav”, through this laptop and through the birds singing in the garden. Meditation is love, meditation is freedom, meditation is easy…as easy as the wind moving through the autumn leaves.

Meditation is no mind, meditation is openness, meditation is all there is.

Meditation is remembrance.

Samasati.

 

 

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Still around after all these years

 

For 21 years the Osho commune in Pune was my home. There I took Sannyas, and day after day I listened to Him, did His meditations, participated in all possible groups and trainings, worked, gave sessions, and I also managed to find plenty of time to be constantly involved in the juiciest and most dramatic intimate relationships. Those were beautiful years of a richness hard to describe. I feel that I absorbed the full rainbow of His vision, lived to the fullest a life of meditation and celebration, and squeezed the juice out of everything to an extend I would never have dreamed possible.

I have been a spiritual seeker for as long as I can remember, sometimes not knowing what I was after, sometimes groping in the dark, often confused about what my real longing was. When Osho appeared in my life everything suddenly made sense; with him my heart opened and every word he spoke hit the spot. With Him I could explore the depths of my darkness, watch my love and creativity catch fire and take me to heights I didn’t know existed. With him I felt whole again.

When I look at my life today, I see that nothing has changed about my connection with Osho. I feel that His vision and His very breath got absorbed within and that somehow He has become part of me. My circle of friends is largely of Sannyasins, but in some strange ways I also feel a connectedness with the Osho Community as a whole, even with those who seem to create walls. A few years ago, after I had reposted on Facebook an article about the fake Osho will that I found interesting, I was banned from entering His garden in Pune, my home for so many years. Regardless of the incredible hurt that this incident created I always felt that this unfolding was part of my life with Osho; beyond what appears to be right and what appears to be wrong there is an open space where I always find Osho giggling at the absurdity of the human condition. No matter how hurt and angry I can be, I always feel Osho ‘s presence near me; and even when a door closes I know that He is about to open a bigger one for me to keep growing.

Tribute to Meera, part 8

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Meera always told me that having zero background as a painter and having never been to art school was a gift in disguise. She said that so many people coming to her were so loaded with ideas and concepts, had too much baggage, and that she spent so much time trying to free them from their knowledge. In that sense I was free already.

Today when I look at my paintings I recognize that, and I am in awe every single time. Meera taught us very little techniques, almost nothing really. And yet I see beauty all around right now, I see mystery and depth, I see the wild cyclone in movement and I feel the centre of it. I see both my aching and my silent heart, the joy and the pain, this whispering longing taking me to the unknown…

As years are passing and I am slowly collecting knowledge, I can see how right she was. Looking at paintings I did in her trainings when I knew nothing, I often stop in amazement at a certain freedom I had then. Many times I realise that today I would not be able to paint with that magenta next to that bright pink, or to suddenly enter a heavy stroke of black ink in the middle of a beautiful light flowery painting. Staying in touch and alive with that innocence and that freedom is a constant challenge. That freedom has a beauty of its own and the taste of the divine.

 Painting with Meera in Osho’s garden, listening to Him and meditating every day, was a happening hard to describe. Osho’s presence is tangible in every word Meera utters, in every move she does, in every painting she creates.  Osho’s vision is the connection between Meera and me.

( Part 9 coming soon )

Tribute to Meera, part 7

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After the first season helping in Meera’s caravan I finally got in touch with the creative fire within and I just wanted to paint. Meera had been right and now she wanted me to keep going wild into unchartered places. When I told her that I now just wanted to paint, had no juice for helping, and would rather explore on my own outside the training, she offered me to come in the group and do as I wanted. I could even have a corner in the room, and as long as I was around she was happy.

And so, I spent the last few winters in the painting training, doing as I please, knowing no limit and no boundary. I was officially part of the staff, but I refused to work and help, and would immediately leave if pushed. Meera wanted me in there and so kept widening the exceptional status I had. I was certainly the source of much admiration, but also envy and jealousy. Clearly I isolated myself and became a freak. During the days off there was so much work for the staff, so much to prepare, but as my friends were busy from morning to night gluing paper, mixing colours, cleaning and deep cleaning, I would just sit there on the roof under the trees and paint all day long, forgetting to eat, only having two or three breaks a day to meditate in the Buddha Hall.

We were painting on Krishna roof those days, an amazing open space in the heart of the commune, under magnificent ancient trees with amazing greeneries all around. During the evening meditation, when everything stops and everyone gathers together to meditate with Osho, I again had a special permission to stay on the roof and paint if I wanted; and sometimes I would miss the evening meditation and paint till midnight, alone in that huge space, with all the lights on and music playing.

Those are the days when my creativity took off. I was intense and prolific.

Meera could see that I was flowering and she kept supporting me. She was obviously aware that this situation was not right, that my entitlement was an issue, and my dramas out of place. Over the years she asked her closest friends many times “Should I kick out Nirav?” No matter the feedback she always chose love over fear. She always chose Yes over No. She always focussed on the light and the expression of creativity. Against what made sense and what was right from a therapeutic standpoint she always kept my potential in sight and did whatever was needed to support it.

 

( part 8 …)

Tribute to Meera, part 6

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My journey with Meera had just started. A glimpse at me had in a way been enough for her to see my unexplored potential, and very soon she was reconfirmed in her intuition. She gave me everything, let me do all I wanted, didn’t set limits and kept showering me with her love. She took me in the staff for five years continuously, and invited me to her trainings abroad.

The problem was that not only I didn’t believe in my potential as an artist, but receiving so much unconditional love was not possible for me. The more she gave the more I pushed her away. Those five years were intense, extraordinary in many ways, and also extremely painful. I frequently exploded into intense emotional dramas, freaked out in the middle of the groups, challenged her and pushed her to her edge. As her book “ReAwakening of Art” was about to be published, I forced her to remove my name from it. Obviously my name would have appeared in a beautiful way, and this is one of the most painful things I ever did. My name was removed and the book was published.

Today a dedicated copy is by my bedside table, and whenever I try and read Meera’s words to me on the cover, my eyes instantly fill with tears.

Maybe this Tribute is also an effort to complete something between us and ease the pain in my heart.

( part 7 …)

Tribute to Meera, part 5

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It is now 9.35 sometimes in December 2000, it is a beautiful misty morning in Koregaon Park, and Meera’s painting training is about to start. This part will last six weeks and has to be booked as one course. Over sixty participants will soon be picked up in the Multiversity Plaza and brought to the group room. In the last three days, Meera’s experienced staff had been busy setting up the space, mixing hundreds of litres of acrylic colours, gluing papers together to create huge pieces of canvas, sorting out brushes and watercolours, and organising so many many details. I had just been part of the crew for two weeks and I knew what a major happening it was.

I had decided not to join and obviously Meera could not force me, but something in my heart felt heavy as I wandered around the commune. I watched all those people arriving, excited and ready to embark on a journey that would change many lives.

Meera arrived in her black robe, smiling. The plaza was packed. “Where is Nirav?” she asked one of her assistants.

Here I was, sitting on a table at the back, partly in shock, partly sad, but also deep down knowing that something was soon going to happen and change the course of my life. There was a sense of urgency, a bubbly intensity, and magic was in the air. We were in the heart of Osho’s garden, between His Samadhi and the Buddha Hall where He spoke for many years, and there was never a doubt as who was actually running the show.

The group was starting in less than five minutes and there was no more time for discussion. Meera walked over to me “Nirav, did you find the money and are you coming?” “No, I am not coming, sorry!” I replied. “Oh, Nirav, this is not possible. Come! You join the staff now, I will find a way.”

She gave me a hug, took my hand and pulled me with her to the centre of the plaza. She gave me a list and a pen which I ticked as she called the names of the participants.

I was silent as we all walked together to the group room. I was hardly realising what had just happened, and how I suddenly found myself here; but obviously a match had just been thrown into my inner chambers and fire would soon engulf all my ideas and concepts of who I stubbornly believe I am. Most importantly my creativity was going to explode into thousands of rainbows and transform the very way I experience life.

 ( part 6 …)

 

Tribute to Meera, part 4

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I had not understood how Meera could have seen my potential as an artist during our short meeting the week before. How she could now see my untapped possibilities on this paper is something that will probably remain unexplained till my death. The fact is that this was not a painting but a dark mess; it was ugly and it made no sense whatsoever; it was an energetic expression of those dark and primal forces inside; black and white paints were basically just thrown, most strokes were done with my hands and feet rather than with brushes, there was no mind, no urge to create, no desire for beauty, no one to please, no goal and no ego.

The Primal Painting group went ahead, and Meera encouraged me to keep going, to keep playing and exploring, to be myself and be wild.

This first part was soon ending and the Swiss friend I was translating for was not staying for the rest of the training. Meera’s training was in two uneven parts that season, the first one lasting two weeks, and the second lasting six weeks. Part 2 would among other things include water colours, nature painting, self-portrait…

Meera explained that I wouldn’t be able to translate anymore and that she would not take me as a helper for the next major section of the training; the staff was already full and since I had never participated in at least a shorter group of hers, joining the staff was simply impossible. She wanted me to join as a participant. I understood her point, and yet I was clearly not ready to pay for a creativity group. I honestly could not see the point. Yes I was enjoying the process and had fun exploring and painting, but No I didn’t feel that painting was my thing and this idea that I was a born painter was completely removed from anything I could feel or understand.

I told her that I would leave after the Primal Painting part. She told me that No, I could not leave. I told her that I was not a painter and that I was not that interested. She told me that I was a painter and had to keep painting.

The Primal Painting part ended, my Swiss friend left, and there was now a three days break before Meera’s creativity caravan would keep rolling for the next month and half. I was ready to call it a day and an interesting experience and I was completely unwilling to join as a participant. Meera could not take me in her staff for numerous very good reasons and was absolutely not ready to let me go. In the heart of Osho’s garden in Pune, those three days had the flavour of an arm wrestling match.

( part 5 …)